Ben F |
Exposure metering tips Hi peoples, Ive just got a heap of slides back I shot with my xpan (havent had it long), and ive found that alot of the slides shot late afternoon, near sunset or at sunset, and pretty underexposed. For the record I was shooting with fuji velvia 50, xpan with 45mm lens. The XPAN uses center-weighted TTL exposure metering so can anyone give me some tips to get better all round exposure?... THanks for any advice :P
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Bob Cammarata |
Your camera's center-weighted metering system is reading the sky and exposing it properly. There are several things you can do: -Meter the foreground and do not include the sky in the composition. -Meter the sky and use flash to bring out detail in the foreground elements within range of the flash. (Not always reliable.) -Turn around, and shoot what's behind you. If the sun is out, everything...including the distant sky will be illuminated more evenly.
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doug Nelson |
For landscapes, you're using the right film and asking the right questions. I had this same problem recently, with a center-weighted meter, overemphasizing the sky and causing the system to overreact causing underexposure. I was using a 24mm, so should have known better. You might meter the foreground and hold that exposure and recompose. You might also set a stop or stop and a half more exposure using your shutter or exposure compensation to allow for this.
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Craig m. Zacarelli |
just what do the three metering modes on my XT do? I just keep it on center weighted and go! I know I should be using the other two but dont know when to..anyone?? Craig-
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Ben F |
Thank you both for your replies most helpful... Metering off the foreground completely like you both have said, would somewhat over-expose the sky correct?.. Also doug I notice you mentioned exposure compensation... for the daker areas I would be setting a minus number is exp. compensation correct?.. ie -1,-2 etc.. ??? Thanks for your help!!!
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Bob Cammarata |
The difference in meter readings between the sky and foreground can be as little as 1/2 stop or as much as 4 stops, depending upon how blue the sky is and at which direction to the sun you are facing. Get a reading manually off both extremes and set your exposure somewhere in the middle, then bracket in 1/2 stops from there. Keep in mind though that a light blue or gray sky can turn white when over-exposed by as little as 1/2 stop. If you don't want this to happen, follow the advice above and compose your shot with little or no sky in the frame. A deep-blue sky with the sun behind you can be metered directly with great results. (See attached example.)
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